25th November:Feature
Ian Rankin
Ian Rankin talks about Resurrection Men, violence, early influences and more...

25th November:Feature
Woody Haut: Heartbreak And Vine
Woody Haut on his new work on the fate of Hardboiled Writers in Hollywood...

26th June 2002:Feature
Red Riding Quartet - David Peace
David Peace on the influences behind his Red Riding Quartet and the Yorkshire Ripper

26th June 2002:Feature
The Urban Landscape of Marxist Noir - Alan Wald
Professor Alan Wald talks to Graham Barnfield about his investigations into the 40's and 50's

11th April 2002:Feature
Lust Murders - Carol Anne Davis
Carol Anne Davis on sex and murder in her work...

21st March 2002:Feature
Sally Emerson's Broken Bodies
Sally Emerson on her novel Broken Bodies, influences, inspirations and more

19th February 2002:Feature
Robert Wilson's Instruments of Darkness - Barry Forshaw
Barry Forshaw on Robert Wilson, and Robert Wilson himself talking about his novel, The Company of Strangers

21st January 2002:Feature
Natasha Cooper: Women And Violence
Natasha Cooper looks at the phenomenon of female violence - and the male reaction to it...

8th January 2002:Feature
Skeleton At The Feast: Patricia Hall
Patricia Hall don Skeleton At The Feast and much more..

14th December 2001:Feature
From Flappers To Film Noir - Michael Carlson
Michael Carlson examines the relationship between the stars of the silent screen and film noir...

14th December 2001:Feature
Frances Fyfield: The English Are Not What They Seem
Frances Fyfield talks to Eve Tan Gee about Undercurrents and other works

22nd October 2001:Feature
From The Dark: Kenji Jasper
Kenji Jasper talks about his explosive first novel, Dark

22nd October 2001:Feature
Women Who Kill
Carol Anne Davis on female serial killers and her new book

4th October 2001:Feature
More Than Night: Michael Connelly
Michael Connelly talks about A Darkness More Than Night

28 August 2001:Feature
K C Constantine: Grievance
not just the novel...

28 August 2001:Feature
The Chelsea Girl, the Playboy, the Honest Cop and the Proven Lawyer
Anthony Frewin on investigating a Sixties murder...

28 August 2001:Feature
Robert B Parker Perishes Twice
Robert B Parker on his latest novel from No Exit Press

28 August 2001:Feature
James Sallis
Mark Thwaite on James Sallis

20 August 2001:Feature
Peter Haining: The Pulps
Peter Haining on the Classic Era of American Pulp Magazines

20 August 2001:Feature
Maxim Jakubowski: On Tenderness Express
Maxim's writing history and future...

20 August 2001:Feature
The Prisoner
Mike Paterson on the new DVD release of the classic British cult TV series

20 August 2001:Feature
H R F Keating: Rhyme Rhymes With Crime
H R F Keating on his remarkable 'verse novel', 'Jack, The Lady Killer'

20 August 2001:Feature
Gary Lovisi: on Blood In Brooklyn and other matters
If you are a real writer, not some damn dilettante, and believe in your work, because it is your life's work, then you should have control over it...

20 August 2001:Feature
Hilary Bonner: Deep Deception
Hilary Bonner on writers she loves and the way she works - but is she telling it like it is ??

28th July 2001:Feature
A Deadly Hush
Carol Anne Davis on noisy neighbours and her new novel, Noise Abatement

27th June 2001:Feature
Crime, Redemption and Videotape: James Lee Burke
James Lee Burke, his books and his promotional package, critiqued by Charles Waring

27th June 2001:Feature
Atom by Atom - Steve Aylett
Steve Aylett comments on his novel Atom, in his own inimitable style

11th June 2001:Feature
The Rise, Fall and Ultimate Triumph of a Pulp Legend
Peter Walker on the larger than life Mark Timlin

11th June 2001:Feature
Stand With Your Back To The Wall
Victor Davis on Joseph Wambaugh and the Hollywood circus

30th May 2001:Feature
Women In Crime: Barry Forshaw
Barry Forshaw conducted a straw poll among some key female practitioners about the state of women's crime writing...

29th May 2001:Feature
Small Deaths: Robert Wilson
I was never a crime buff but I have always been a writing buff. I'm always interested in writers who can say things differently...

8th April 2001:Feature
Crime Writers Aren't Literary Artists, Are They? - Paul Johnston
Paul Johnston on his writing past and Edinburgh's (fictional) future.

3rd April 2001:Feature
Original Sin: On the Importance of Creative Killing - Frank Tallis
Frank Tallis ponders the potential absurdity of an original killing

8th March 2001:Feature
Girl Walking: The Real Modesty Blaise - Peter O'Donnell
O'Donnell's own account of how he came across the real Modesty...

7th February 2001:Feature
Lindsey Davis: Ode to a Banker
I have the same answer to people who ask about either the brutal or the explicitly sexual...

Year 2000:Feature
On Boucher and Others
James Sallis writes about Anthony Boucher and Jack O'Connell

Year 2000:Feature
Michelle Spring
Michelle Spring on the dark side of Cambridge and her novel, Nights in White Satin

Year 2000:Feature
Campbell Armstrong
"I was inspired to write my first book Assassins & Victims because I was kept awake all night long by a dog barking next door..."

Year 2000:Feature
The Eclectic Margaret Murphy
Margaret Murphy on her working methods and writing life.

Year 2000:Feature
Dangerous Viewpoints
Andrew Taylor on The Office of the Dead, life in 1950's Britain and the significance of Noddy in the development of a crimewriter

Year 2000:Feature
Reviewing the Reviewer
Dorothy L. Sayers as crime critic 1933-35 by Mike Ripley

Year 2000:Feature
Born Under a Bad Sign
an Edward Bunker retrospective by Charles Waring

Year 2000:Feature
Mickey Spillane - you the jury
a ct retrospective

Year 2000:Feature
No Heaven, No Hell by Edward Bunker
An extract from Mr Bunker's blistering autobiography, Mr Blue: Memoirs of a Renegade

Year 2000:Feature
Writing The Dope Priest
by Nicholas Blincoe

Year 2000:Feature
The Thrill of the Chase
A survey of collectible crime by Mike Ashley

Year 2000:Feature
Cigarettes and Alcohol
The Extraordinary Life and Work of Jim Thompson by Charles Waring

Year 2000:Feature
Why is The Sopranos so damned good?
ct provides the answer...

Year 2000:Feature
hot chicks, cool dudes and bad muthas
Our definitive guide to blaxploitation by Charles Waring

Year 2000:Feature
When I tell you to cut it, you fucking CUT it!
John Foster on the state of British Cop TV

Year 2000:Feature
Rough Guide to the Sopranos
Charles Waring's reference guide to the first series

Year 2000:Feature
Why is The Sopranos so damned good?
Charles Waring has the answers...