LONG WEEKEND, Colin Eggleston director/Second Sight Blu-ray  In an age when suspense/horror films are obliged to deliver the goods every 10 minutes or so, it’s really refreshing to see a film that trusts its audience’s patience and delivers its effects steadily but inexorably. On its first appearance, Long Weekend drew many plaudits for the director’s command of the medium, and the steady accretion of eerie elements is adroitly handled as the macabre climax approaches. The Australian-made film is possibly the best example of the revenge-of-nature theme which followed in the wake of Hitchcock’s The Birds (and, as a nod to The Master, there is an avian attack in this film). But director Colin Eggleston has different fish to fry with the troubled relationship between his hapless protagonists at the centre of the narrative here, and the excellent performances by his actors – unfamiliar then and now to British audiences — really pay off. The Guardian got it right: ‘Colin Eggleston’s hybrid horror and relationship drama sets man against nature in a kind of David Attenborough special gone heinously wrong.’ Peter (John Hargreaves) and Marcia’s (Briony Behets) relationship is on the rocks, so they head to the wilderness for an away from it all, make or break long weekend. But in their wake, they leave a trail of destruction – animals run over and tormented, their dog uncared for at home and fires started by their carelessness. They destroy both the countryside around them and any animal or creature that crosses their path…

WILLIAM CASTLE AT COLUMBIA, VOLUME ONE THE TINGLER (1959) 13 GHOSTS (1960) HOMICIDAL (1961) MR SARDONICUS (1961)/William Castle, director/Powerhouse Indicator  The British label Powerhouse Indicator continues its very welcome series of excavations of the byways of popular cinema– and in the process, is producing absolutely definitive packages which have everything (and more) that the collector could wish. Nothing could encapsulate the company’s range of ambition more than this delightful set. William Castle is most celebrated (and most notorious) for his outrageous showmanship and publicity gimmicks which – let’s be frank – are probably better remembered than the films themselves. But that is a real shame, as Castle’s funhouse horror movies are almost invariably lively and entertaining, delivered with an irresistible mix of straightfaced seriousness and tongue-in-cheek hucksterism – qualities perfectly encapsulated in the performances of the matchless Vincent Price, star of two of the best films in this collection, The Tingler and House on Haunted Hill, both of which look better in these new transfers than they ever have before. But perhaps the real revelation in this handsome set is Castle’s Homicidal, which is without doubt the most accomplished of all the homages-cum-ripoffs of Psycho to appear in Hitchcock’s wake. And even something as slight as the kiddie-friendly 13 Ghosts has things to applaud, particularly in a transfer as impressive as this – and the one period-set piece here, Mr Sardonicus, does full justice to Ray Russell’s novel, one of the best modern Gothic exercises in Edgar Allan Poe-style macabre. Of course, with this Blu-ray company, it is the extras that provide unique selling points – and they are very plentiful here. Castle’s famous publicity gimmicks (‘Illusion-O’, ‘Percepto’, the ‘Punishment Poll’, ‘Fright Breaks’, etc.) are celebrated, along with a slew of of new and archival extras: Jeffrey Schwarz’s feature-length documentary Spine Tingler! The William Castle Story, newly filmed introductions and appreciations, exclusive new audio commentaries, interviews with actor Pamela Lincoln and publicists Barry Lorie and Richard Kahn, archival featurettes, and much else.

CANDYMAN, Bernard Rose, director/Arrow Blu-ray  The reputation of Candyman has grown steadily over the years, as has that of its director Bernard Rose. And although the latter perhaps did not quite live up to the expectations of his early work, this new issue is a reminder of just how good he was — with a particular skill at finessing the visual aspect of his films. Starring Tony Todd and Virginia Madsen, this brand new 2K restoration (from a 4K scan of the original negative) is eye-popping fare.

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