Guardian Thrillers: This Is How It Ends by Eva Dolan; Damned Serious Business by Gerald Seymour; Fear by Dirk Kurbjuweit; The Woman in the Window by AJ Finn; and If I Die Before I Wake by Emily Koch

Making Crime Fiction Respectable: Nicholas Clee

Verdict of Twelve by Raymond Postgate

Simenon, Nesbo & Varvello: crime reviewed by Ruth Morse

Undertow by Anthony J Quinn & The Vanishing Box by Elly Griffith

Days of Smoke by Woody Haut

When Time Runs Out by Elina Hirvonen, tr. from the Finnish by Hildi Hawkins, Bonnier Zaffre, Mantle

New Blu-Rays & DVDs from Powerhouse, Sony, etc.

Ruth Morse on John Creasey and Michael Innes

Best Crime of 2017 in the Financial Times

Crime Time Roundup

Down for the Count by Martin Holmén, trans. Henning Koch

The Accident on the A35 by Graeme MacRae Burnet

Pale Horse Riding: Chis Petit Talks to Crime Time

The Girl in the Fog by Donato Carrisi, trans. Howard Curtis, Little, Brown: Abacus

Nine Lessons by Nicola Upson, The Darkest Day by Håkan Nesser

Andreas Pflüger, In the Dark & The Usual Santas: a Collection of Soho Crime Christmas Capers

Crime Time Roundup

FOUR FILM NOIR CLASSICS and other new Blu-Rays

Crime Novels by Michael Innes

Two Kinds Of Truth by Michael Connelly

Reissues: Nicolas Freeling & Nicholas Blake

The Four Horsemen by Gregory Dowling

Highbridge by Phil Redmond

Supernatural Sherlocks Nick Rennison, editor

Two from Titan

Blade Of The Immortal Takashi Miike, director

Getting Carter: Ted Lewis and the Birth of Brit Noir by Nick Triplow

American Gothic: Six Decades of Classic Horror Cinema by Jonathan Rigby

Ruth Morse on New Books and Reissues: Connelly et al

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