Irish Crime Writing Is Having A Killer Moment Right Now

Tana French’s Intimate Crime Fiction

How To Be A Best-selling Crime Writer

Bad In Bardino – Nick Sweet Talks To Crime Time

Sarah Ward – The Author Of A Deadly Thaw On Music To Write Books By

The Devil’s Work – Mark Edwards Talks To Crime Time

Present Tense – W. H. McIntyre Talks To Crime Time

Sunshine Noir

No Noir – Crime Fiction On The Arabian Peninsula

From Sam Spade To The Red Scare

Sarah Ward – Why Nordic Noir Has Lost None Of Its Appeal

Simenon’s Heir – Pascal Garnier

Countdown With … Barry Forshaw

What – No Count Fosco? Rod Reynolds’ Top Five Favourite Villains In Crime Fiction

Val Mcdermid – Is Fiction The Best Way To Access The Truth?

Women Crime Writers Are Not A Fad And Megan Abbott Is Here To Prove It

Announcing The 2016 Ned Kelly Award Shortlists

David Stuart Davies On Sherlock Holmes & The Ripper Legacy –

Right Idea, Wrong Time – Writing And When I Die

Why I Stopped Writing Crime Fiction. I Think.

Massimo Carlotto Recommends The Best Italian Crime Fiction

The Crime Rush In Indian Literary World

Sergeant Cluff – Martin Edwards On A Welcome Reissue Series

Britcrime Festival – J. M. Hewitt Talks To Crime Time

Dangerous Women (and Men) At Killer Women Festival

Nordic Noir Is A Reflection Of Modern Europe

Women Are Writing The Best Crime Novels

I Read, Therefore I Am – B K Duncan Talks To Crime Time

American Noir And The Outlaw Lit Of James Sallis

The History Of Blood – Paul Mendelson Talks To Crime Time

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